By Roberta Kagan

ISBN-10: 1477533028

ISBN-13: 9781477533024

A historic Holocaust novel, encouraged through actual occasions that happened in Nazi occupied Germany

FACT: In 1935, the Nazis validated a software known as “The Lebensborn.”

Their schedule, used to be to genetically engineer excellent Aryan teenagers.

These little ones have been to be the hot grasp race, as soon as Hitler had cleared all bad parts (Jews, Gypsies, and everybody else the Nazi's felt had no correct to reside) out of Europe. inside a yr the 1st Lebensborn establishment was once outfitted and this system was once underway.

"A Flicker Of Light"

The yr is 1943....

The forests of Munich are crawling with possibility below the guideline of "The 3rd Reich," yet with a view to keep the lifetime of her unborn baby Petra Jorgenson needs to get away from the house for the Lebensborn. on my own, seven months pregnant, penniless and ever threatened through the watchful eyes of the armed guards within the overhead tower, she waits till the useless of a frozen wintry weather evening. Then, Petra climbs below the flesh shredding barbed twine that surrounds the institute and on the probability of being captured and murdered she runs headlong into the terrifying desolate woods.

Even in the course of one of many darkest sessions within the historical past of mankind, while terrible acts of cruelty turned general and Germany appeared to have long gone loopy following the path of a madman, occasionally traditional humans took huge dangers and proved to be unforeseen heroes. or even via there have been those that might try and break it, real love could succeed. the following, during this misplaced land governed through human monsters, Petra will study that even if confronted with what seems to be the top of the realm if one seems demanding sufficient there's continuously "A Flicker Of Light."

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Additional info for A Flicker of Light

Example text

It was important to establish the physical reality of the Holocaust . . which is why we’ve got a barracks from Auschwitz-Birkenau, which is why we’ve got a railcar, which is why we have a rescue boat, which is why we’ve got the uniforms. . The exhibition will be a mixture of photographs, films, documents, and artifacts. I think increasingly with time people will be more and more skeptical about visual imagery and about film, and rightly so. . The difference between our museum and most museums is that the photograph as object is of very little interest to us as far as the permanent exhibit is concerned.

The identity card conflates and restages the Nazis’ perverse criminalizing of innocent persons while it seeks to enact recuperative acts of commemoration. Yet the identity card’s attempt to restore the personhood of the individuals who perished or who suffered immeasurably is only provisionally accomplished by the degree to which the unknown museum visitor can or will take in these memorized histories. The uneasy point of intersection between the past and the present in the identity card’s construction of historical memory is further played out through the confusion of verb tenses written into its condensed biographical sketches.

Courtesy of the United States Holocaust Memorial Museum Photo Archives. [ 2 ] The Identity Card Project and the Tower of Faces at the United States Holocaust Memorial Museum In the work of mourning, it is not grief that works; grief keeps watch. 1 The visitor is directed to a computer-processing area in the foyer of the frighteningly vast and hollow space of the Hall of Witness. 2). The cards are printed with a photograph and a brief text about the Holocaust victims and survivors they represent.

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A Flicker of Light by Roberta Kagan


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